Published in 1987 by Conde Nast this six plate, full colour portfolio reprints the covers from artist Bill Sienkiewicz‘s celebrated run on DC Comics’ The Shadow. Continue reading The Shadow Portfolio (1987)
Published during the trading card boom of the early Nineties this set comprised of 90 cards featuring the work of popular book cover and fantasy artist Frank Frazetta. Continue reading Frazetta Trading Cards Series One, numbers 1-15 (1991)
In the mid-1970’s Marvel Comics began to experiment with reprint collections featuring some of their back catalogue of classic stories. The success of the softcover books they published in conjunction with the Simon & Schuster imprint Fireside Books emboldened the company to try their hand at releasing reprints themselves, under their newly created Treasury banner. Continue reading Marvel Treasury Special: Giant Superhero Holiday Grab-Bag (1974)
Time for another dip into the ‘Taint The Meat vault of comic book portfolios … Continue reading The Uncanny X-Men Portfolio, Set Two (1983)
I’ve a great fondness for Marvel’s reprint collections from the 1970’s and I’ve already written about their Treasury Editions that ran from 1974 to 1981. Released when reprinted comics were a rarity, these oversized collections were great favourites of mine when I was a kid, as they gave me the opportunity to re-read some classic comic book stories. But Marvel also published a range of reprints under their Marvel Special Edition‘s banner so I’m also going to take a closer look at some of those. This time it’s The Spectacular Spider-Man Special Edition #1. Continue reading Marvel Special Edition: The Spectacular Spider-Man #1 (1975)
Last year I posted an article discussing my appreciation of Marvel Comics’ oversized reprint collections from the late 1970’s, Marvel Treasury Editions. 28 volumes were published between 1974 and 1981 reprinting stories featuring the publisher’s most popular superheroes. But they weren’t the only stories to receive the Treasury treatment.
“From the beginning, the Sentinels were targeting the X-Men. Then they began targeting everyone”.
In the late 1970’s you’d have been hard-pressed to find a reader of comic books who wasn’t aware of Chris Claremont and John Byrne‘s ground-breaking run on Marvel Comics’ The Uncanny X-Men. The two helped reinvigorate the failing comic by creating believable and relatable characters who readers genuinely cared for. During the three and a bit years of their partnership Claremont and Byrne created some of the most memorable story-lines to ever see print, as they pitted the X-Men against an array of challenges including arch-foe Magneto, the Savage Land, the Hell-Fire Club and the terrible power of the Dark Phoenix. Artist Byrne quit the title after issue 143 but before leaving he and writer Claremont crafted a two-part story destined to become a classic – Days of Future Past. Continue reading X-Men: Days of Future Past (2014)