Son of Origins of Marvel Comics by Stan Lee
In 1974 Simon & Schuster imprint Fireside Books published Origins of Marvel Comics by Stan Lee, a soft cover book that reprinted the origin stories of five of Marvel Comics’ most popular characters with accompanying text written specifically for the collection by Lee. The book was the first of its kind and is now widely regarded as the first reprint collection, or trade paperback, a format that now dominates the comic book industry. Continue reading Son of Origins of Marvel Comics (1975)
And Marvel said, Let there be The Fantastic Four.
And there was The Fantastic Four.
And Marvel saw The Fantastic Four. And it was good.
Stan Lee, from his introduction
Origins of Marvel Comics by Stan Lee
Browse through any comic shop (if you can find one) and you’ll doubtless notice the proliferation of reprint collections, also commonly known as trade paperbacks. With editions numbering well into the thousands trade paperbacks, or trades, have become an important part of the comic book industry offering readers the chance to read and collect their favourite comic book stories reprinted in tidy, book-shelf friendly volumes. They are so popular that many high street bookshops now stock them – although they tend to be erroneously labelled as graphic novels – helping to introduce the medium to readers who wouldn’t normally frequent comic book shops. Continue reading Origins of Marvel Comics (1974) and the birth of the trade paperback
Jack Kirby. King Kirby. King.
It’s a testament to Jack Kirby‘s lasting legacy to the comic book industry that just the epitaph ‘King’ is enough to identify him and the kind of comic with which he is synonymous. Kirby’s influence on the medium cannot be understated – he was present at the birth of the comic book industry in 1938 (the Golden Age) and he was one of the prime architects at it’s rebirth in the early sixties (the Silver Age). In a career spanning over 40 years he almost single-handedly created the visual lexicon of the comics medium, imbuing it with a dynamism, excitement and energy not seen before and he was instrumental in transforming the funny books from throw away pulp reprints to an art form in it’s own right. There isn’t an artist or writer working in the field today who doesn’t owe him a debt of gratitude, whether they know so or not. Continue reading Kirby, King of Comics (2008)